Auckland

PHOTO: Moving to Greenhithe from Grey Lynn has been good for Mimi and Stephen and their two young girls – Olympia, left, and Octavia. JANE USSHER/NZ HOUSE & GARDEN

This story is from the team at NZ House & Garden magazine.

According to STUFF Mimi Gilmour Buckley imagined she would plunge into an identity crisis when, last May, she moved with her husband Stephen and their two young children, from an upbeat, artsy inner suburb of Auckland out along the northwestern motorway to the genteel village of Greenhithe.

Fergs Coffee

“I had been renting in Grey Lynn for 15 years,” explains the hospitality entrepreneur, “but we couldn’t afford to buy there.”

Truth is, although a character home within their budget was part of the criteria, the biggest tick-box by far was a place to accommodate the special needs of their 5-year-old daughter, Olympia, who was born with a significant brain injury. “Olympia was diagnosed with quadriplegic spastic cerebral palsy and epilepsy, and she is an absolute angel,” says Mimi.

Moving to Greenhithe from Grey Lynn has been good for Mimi and Stephen and their two young girls - Olympia, left, and Octavia.
JANE USSHER/NZ HOUSE & GARDEN
Moving to Greenhithe from Grey Lynn has been good for Mimi and Stephen and their two young girls – Olympia, left, and Octavia.

“We needed room for her wheelchair and, as she gets older, a big house that we could renovate to make a purpose-built space with an electric ceiling hoist and all the space needed to care for her needs.”

And so, the mission began. At first the couple was looking in Birkenhead but, 80 houses later, no joy. Then a savvy real estate agent mentioned a place in Greenhithe that had just come on the market.

Gilmour house

JANE USSHER/NZ HOUSE & GARDEN
Octavia, age 3, sits in the entrance hall wearing a pink tutu: “She likes performing and I just love dressing my two girls in beautiful dresses while I still can – before they get their own ideas,” says Mimi; the Persian rug once belonged to Mimi’s grandparents: – “They always had it under their dining table” – and the set of shelves, bought from Vitrine, has been repurposed as a shoe rack: “I believe it was designed as a bakers’ rack where they would place hot loaves to cool.”

Although she had her doubts about shifting so far from her regular stomping ground, as soon as Mimi saw the property, her gut instinct gave her a little kick of acknowledgement. “It was so beautiful and peaceful. It was a place to put down roots. Somewhere to feel grounded,” she says. Stephen agreed. With financial help from family, they took a deep breath and signed.

Gracious and colonial in style, the house is, surprisingly, only 20 years old. You’d hardly guess.

Curvaceous flower beds skirt a gravel drive that leads up to a weatherboard dwelling with all the requisite character features. With no obvious garage and surrounded by well-established trees, it’s like arriving in a different era. “I grew up in villas – in what my mama would call ‘a proper house’ – so there was a sense of familiarity to this for me,” says Mimi.

Gilmour house

JANE USSHER/NZ HOUSE & GARDEN
Three Laurence Aberhart photographs, the most treasured works from the New Zealand art collection of Mimi’s grandfather Dr Mike Gilmour, hang alongside a pair of spears that Stephen carried back on the plane from Uganda when the Buckleys went to visit his sister who was living there at the time; the lion atop the French 1950s table with barley twist legs was bought at Cordy’s auction house: “My husband has made me promise to not buy anymore ‘knickknacks’ this year,” says Mimi.

Once inside, the high stud, including cathedral ceilings in the kitchen and dining area, rustic brick floors, built-in bookshelves, french doors and two attic-style bedrooms capture the flavour of the past – but it’s the garden that really turns the experience into something special.

The C-shaped plan embraces a courtyard where formal plantings and glorious well-established trees ensure that, inside, the greenery is ever-present. Right now, starry white jasmine rambles fragrantly over trellis, mass plantings of white hydrangea are about to launch into showstopping display and a Canadian maple is a rebellious punch of red amidst its more serene neighbours.

“Living here, I have a newfound appreciation for how nature evolves so quickly,” says Mimi. “It’s truly magical.”

Gilmour house

JANE USSHER/NZ HOUSE & GARDEN
The kitchen table was designed by Nat Cheshire and paired with bench seats bought from Vitrine; its raw natural texture is picked up in an oversized copper shade that was made in Indonesia, a project Mimi organised through friends at design-and-make agency Goldie.

As a counterpoint to the intensity of their working lives – Mimi recently launched a digital platform and product business on a mission to help women build their resilience inspired by her journey with Olympia – the home is crafted as a centre of calm. When they first moved in, the couple decided to just let it be for a year or so, to settle into the home’s rhythms.

When they painted the interiors a warm, restful white (Resene Half Rice Cake) Mimi, a fine arts graduate, had to subdue her love of colour.

“It was a bit of a battle with my husband,” she laughs. But she has other outlets for punchy expression – as seen in her warm, welcoming and art-filled Burger Burger restaurants, which Stephen is co-CEO of, and the vibrant and bright world of IAMMI, her mindful skincare brand, which is inspired by the colours that bring joy to Olympia’s world.

Gilmour house

JANE USSHER/NZ HOUSE & GARDEN
Mimi bought the two French bobbin-leg stools at the kitchen bench from Vitrine as a moving-in present to herself; she calls cooking her “love language” and weaves between Italian food, Yotam Ottolenghi recipes and, more recently, dishes by Polly Markus of Miss Polly’s Kitchen.

Another advantage of being heart-deep in commercial fit outs is that items can be “requisitioned” for home. An oversized beaten-copper lampshade above the dining table is a case in point, as is the striking Richard Orjis work, a rescue from a restaurant closure, that takes centre stage in the living room.

This room was, in fact, the former main bedroom complete with dressing room and ensuite but because Mimi and Stephen wanted to sleep next door to Olympia, they gladly surrendered it.

On one side of the farmhouse-style kitchen, a glass-fronted cabinet is populated with a personal history. There’s her grandmother’s luncheon set, family crystal, tealight candle holders that were a 21st present and keepsakes from Uganda where her sister-in-law spent many years.

Mimi’s grandfather, Dr Mike Gilmour, was a New Zealand art collector, and she’s slowly finding just the right space for some of his finds.

Mimi brings the same energy that she does to her business endeavours to her shopping habits. “I get obsessed,” she admits.

Perhaps it’s because her mother, Emerald Gilmour, whom she calls “a walking history book”, dragged her around antiques auctions as a child that she can’t resist random finds at auction houses such as Cordy’s and Webb’s.